I'm back! Here, look at this!
A young man waits for the F train at the York St. station, the last stop on the line before going into Manhattan from Brooklyn (or, the first stop in Brooklyn after leaving Manhattan)
I'm back! Here, look at this!
A young man waits for the F train at the York St. station, the last stop on the line before going into Manhattan from Brooklyn (or, the first stop in Brooklyn after leaving Manhattan)
"Playing Rough", taken May 25, 2015.
Testing out my Canon 50mm 1.4, catching this look from a pretty annoyed toddler. The scratches on his nose and face are from falling the previous day--definitely not stopping him from going full speed ahead the next day.
The self-portrait. Ugh. Every aspect of doing this mini-project was f***ing awful to me. I have enough residual anxiety that I titled this post with a biblical reference, and three sentences in, I'm using profanity.
Longer exposure...
...combined with...
...movement.
I didn't choose the title of this post by accident. I've avoided taking pictures of myself and being in other people's pictures enough that I knew that this would be terrifying for me, which is exactly the type of challenge I need right now. I needed to shoot myself. And it felt like shooting myself. A bit hyperbolic, but the anxiety is very real.
The debate and discussion that surrounds what even constitutes a "portrait" didn't simplify matters. Should I attempt to do a traditional portrait? Should I go for the more avant-garde or surreal? Should I do color? Black & White? How much should I edit in post? Should I use a backdrop or pick a location?
I recently talked about portraits with my dear friend Daisy, who is currently taking photography classes. She asked me what I thought the definition of a "portrait" is, and a few arm-chair photographer thoughts came to mind:
Of course there are certain steps you can take to make sure you have a solid, good portrait--having sufficient lighting, understanding your lenses, knowing which apertures and shutter speeds are appropriate for the situation, positioning your subject in a flattering pose, etc. But to create something special, something that really fits the subject and the photographer's style--that takes something outside the formula. It takes creativity and courage.
Clearly thrilled about this post.
So naturally, I felt pretty screwed from the outset.
I decided a few key things fairly quickly. I wanted this to be a simple shoot because it was just me, and I didn't want to spend too much time fretting over props or locations. Black & White in editing would be the way to go in order to enhance the way I was playing with the lighting. Also, Black & White photography is very forgiving--color photography is actually much harder than people realize. I used the backdrop and lighting equipment I had bought from the now defunct ArtPhotoArt Studio that had to close in February due to rent demands. It felt good to liberate the equipment from my basement and put it to work. I also decided to only use artificial light and close off the shutters in the space for more control. Finally, I knew that I wanted to focus on my face and only do shots above the shoulder, wearing a simple tank-top. Easy-peasy-lemon squeezy, right?
To quote one of my favorite movies, this was "Difficult, difficult, lemon-difficult." Holy crap, this was difficult on a technical level. I had my husband, Matt, sit for a couple of test shots just to get the general lighting positions and camera distance in place; however, once it was my turn to get in front of the camera, I had to keep getting up and down to see how each shot was turning out in order to adjust the focus and find the placement I needed for everything. Since I had closed the shutters and there was no air conditioner in the space, it got hot in there very quickly with the lighting equipment (I use continuous lights instead of strobes). I was sweaty and a little panicky and glaring at the lens...a lot.
Sweaty and annoyed while Self-Portraiting. I believe this speaks to the "Ugh, people" part of my personality. This is also my expression when the baby decides he doesn't want to eat any of the food I've made him.
Also, my glasses. SIGH. My lovely, adorable glasses became a pain in the ass because of the glare they created if I moved my head from a different angle than I had been in when I first set up the lights. Sure, I could have removed the glare in Photoshop, but the whole point of this exercise was to try and get over my fears and make a real effort to get the photo I wanted without a ton of editing. So I made the adjustments when I wanted to, and I let there be a glare when I wanted to. I just knew I didn't want to take off my glasses.
And I didn't want to wear makeup or dress up or do my hair. If you know me, you know that I'm lower than low maintenance. Don't get me wrong, I like to think I clean up nicely for special occasions or going out for dinner. But when I'm home, when I'm with my family and close friends just hanging out, I'm pretty Plain Jane. I don't hide it in my every day life, so why bother trying to hide it in my self-portrait?
In the end, I went with a mix of different types of faces and poses, trying to loosen up with each shot. I played with some longer exposures, some non-centered poses, and how much shadow I allowed the lights to create. Although I'm referring to this as a personal mini-challenge, I'm not framing the end result as "win" or "lose". I didn't expect to walk away with a mind-blowing self-portrait. The larger goal was to give it a go and just sit down in front of the camera. The "me" you're seeing in these photos is probably a more honest "me" than the Selfies I usually post on Instagram or Facebook (and look, no toddler in the photo with me!). I feel like the Selfie isn't so much for the subject of the photo as it is for the audience; but the self-portrait is so intimate that it's really for the subject while the audience's reaction is superfluous. If they like it, they like it. If not, at the very least, you learn something about the subject without a single word spoken.
I'm older. I'm tired. I don't always feel like smiling. I still make funny faces at the world in self-defense. Sometimes I just hide. But I'm trying.
That's "something", right?
I'm so lame, but I've somehow managed to become friends with so many cool people. And they happen to know other cool people. And sometimes these cool people let me photograph them.
Here's a preview of the shots I'm currently editing of two immensely cool people I photographed--Richard and Laura. I'm incredibly pleased with how these photos are turning out, so stay tuned for the full galleries.
Oh, Winter. I usually love you...but...it's really hard to want to hang out with you after you've invaded every moment of my life like this. "Hey guys, where are you going?" "Guys, wanna hang out? No? Whatever, I'm here, let's party!" "Guys, does this snow make me look fat?" And whenever we hang out, you don't even pick up after yourself. You either leave your slippery ice patches around for us to fall and break a hip or that gross, grey slushy crap that some manages to seep through our waterproof boots.
Not cool, Winter 2014. Not cool.
But when you're decent and kind, you create some really special moments that we appreciate. So let's keep them special by keeping them few and far between.
Love,
Nicole (and the other 90% of the U.S.)